Normally I like to go and see films the week that they are released. It’s good for getting reviews up while the film is fresh in everyone’s minds and it means that I don’t have to actively avoid spoilers. It’s not always possible and the past month or so has been a bit of a nightmare in terms of getting to the cinema so I’m only now catching up with some recent releases…
The Book Thief
There’s always a real sense of trepidation when going to see a film adaptation of a book that you truly love (see my thoughts on Les Miserables for proof that this isn’t confined just to books, but musicals too). It’s almost inevitable that any great book will eventually reach the screen…
The Monuments Men
Sometimes a film has all the right components to make a perfect viewing experience and it just doesn’t work. The cast can be top-notch, the story enthralling, the production values great but the film just doesn’t add up. And so it is with George Clooney’s latest directorial effort, The Monuments Men…
Dallas Buyers Club
I’m just about old enough to remember the emergence of the AIDS epidemic in the early 80s. Here in Britain it was accompanied by doom-laden adverts showing exploding mountains and granite gravestones with the tagline “Don’t Die of Ignorance”. It probably saved lives by terrifying people…
Saving Mr Banks
Having missed Saving Mr Banks first time round at the cinema I’m thoroughly grateful to Cineworld for their Take-Two Thursdays policy where a recent film gets a one day reshowing for those of us who have been a bit tardy in our viewing…
Piranha 3DD
It would appear that my battle against the creeping normalisation of 3D is being lost. At least in my own house. It was a red-letter day when I saw and loved a 3D film, but things are going even further. We now have a 3D television and subscription to Sky 3D. It seems that a lot of 3D is in my future …
Gravity
As I may* have mentioned before I hate 3D (*definitely, on numerous occasions). Hate it with an absolute passion. It’s usually a pointless gimmick which offers little to the narrative and relies on flashy whizzing tricks flying off the screen to elicit “ooohs and aaahs” from the audience…